If you are searching for reviews about synthesizers, then this is where to find it. Pittsburgh Modular Synthesizers System 10.1+ Semi-Modular Analog Synthesizer might be your best choice. Check out this review and buy it by clicking the button below right now before this discount ends. Current price is 899.00.
The Pittsburgh Modular System 10.1+ Synthesizer is an expandable version of the System 10.1
Housed in the Pittsburgh Modular Cell (90) desktop case, the System 10.1+ has room to grow
The additional space allows a nearly infinite number of expansion options
The included black plastic blank panel can be easily trimmed as new modules are added to keep the case looking clean
Just like the System 10.1, the System 10.1+ offers direct access to a wide array of modern, analog monosynth sounds
Without a single patch cable, floor shaking bass and aggressive leads are just a few knob tweaks away
Plugging in a few patch cables opens the Pittsburgh Modular System 10.1+ Synthesizer to complex experimentation by offering unlimited control over both the modulation and audio signal paths
All of the elements of a classic voltage controlled, analog modular synth are available as an open, patchable, modern synthesizer
The System 10.1+ Synthesizer also features the Lopass Gate
The Lopass Gate uses a highly tuned set of vactrols to produce everything from natural sounding filter sweeps and resd out piercing leads to organic percussion
The Lopass Gate has 3 modes of operation: low pass filter, VCA, and lopass gate
In lopass gate mode, the filter combines the features of both the low pass filter and VCA to produce a harmonically rich, intricate sound
The System 10 is a collection of 4 modules that will allow you to create complex analog sounds
The semi-modular nature of the System 10 allows for deep experimentation and a rich sound palate
Included Modules: Synthesizer BoxMix MultMIDI3
OutsFull range, complex waveform oscillatorOscillator waveform mixerVoltage controlled multi-mode lowpass gateWide range low frequency oscillatorGlide control for portamento effectsADSR envelope generatorHigh-quality, linear response, voltage controlled amplifierHoused in the Pittsburgh Modular
Cell (90) desktop case
Pittsburgh Modular Synthesizers System 10.1+ Semi-Modular Analog Synthesizer
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Roland Gaia SH-01 Synthesizer
The Roland GAIA SH-01 synth offers high-performance value with old-school charm
The Roland SH-01 delivers massive sound, hands-on ease, and an affordable price
The synth's triple-stacked engine puts potent virtual analog synthesis under your fingertips, yet the control panel is so fun, friendly, and inviting, even first-timers can create great sounds
The Roland synth's signal flow is simple to grasp, with logically arranged knobs, sliders, and buttons
Hands-on control and fat sound make the little Gaia SH-01 a powerhouse and a joy for music students, songwriters, session players, and live performers of all styles and skill levels
Triple-Fat Virtual Analog Sink your teeth into the new triple-stacked virtual analog engine, comprising 3 complete synths for incredibly thick, powerful sound
Unleash the beef of 3 oscillators that drive a trio of multimode, resonant filters, multi-shape LFOs, and amplifiers, plus 9 envelope generators
The Roland Gaia SH-01 is like having 3 synthesizers in 1! With 64 polyphonic voices onboard, the GAIA SH-01 makes it possible to play massive sounds without experiencing note drop-out
Stackable Effects From the silkiest reverb to the grittiest growl, the Roland SH-01's instantly selectable multi-effects catapult your sounds into another spatial dimension
You can layer up to 5 simultaneous effects for dozens of variations
Onboard Roland effects include reverb, distortion, fuzz, bit crash, flanger, phaser, pitch shifter, low boost, and delay with panning and tempo sync
Roland eqips the Gaia SH-01 with cdedicated control knobs for tweaking the effects in real time
Portable Power At less than 10 pounds, the Roland GAIA SH-01 is lightweight, compact, and great for musicians on the go
The 37-note keyboard is full-size, however, so performers can play naturally and comfortably
The synth can be powered via AC or batteries* for the ultiHuge sound with 3 virtual analog engines onboard, each with a dedicated oscillator, filter, amplifier, env
Price : 492.30
Pittsburgh Modular Synthesizers Crush Module
The Crush is an audio destroyer
a voltage controlled, all analog sound decimator
A sonic laser designed to shatter waveforms into a million pieces
The sound of the Crush module is defined by three parameters, Sample Rate, Interpolation, and Mix
Sample Rate assigns the periodic voltage sample timing, breaking down an audio source into ever-larger static chunks
The Interpolate switch tries to rebuild the original waveform from the remaining pieces imprinting another layer of errors and unique artifacts on the output
The results are crushing
The Crush wrecks audio without ever sounding harsh or thin
Compared to a digital bit crusher, the analog Crush sounds full and warm
Taking advantage of unlimited bit and sample rate resolutions, the Crush avoids lo-fi digital results by smoothly downsampling at infinite resolution
An integrated voltage controlled mix circuit allows the perfect amount of destruction to be added to the audio
Manually set the mix or use a control voltage to sweep from squeaky clean to completely crushed.
Price : 199.00
Roland - AIRA TB-3 Performance-Ready Bass Synthesizer
The Magic of the TB-303 with New Sounds and Modern, Performance-Ready FeaturesBased on the wildly influential TB-303, the new TB-3 Touch Bassline is a performance-ready bass synthesizer with authentic sound and intuitive controls engineered to play
The TB-3 contains the unmistakable character of its predecessor, wrapped in a modern package with a pressure-sensitive touch pad that makes both playing and programming a total joy
Capturing the Original Meticulously crafted from a pristine TB-303 unit, original spec sheets, and archival data Roland's ACB technology models each component and every aspect of the original TB-303 sound Faithful recreation of the original saw and square oscillator waveforms Attack, slide, tie, and other elements that characterize the TB-303 have been fully reproduced, including how they interact with each other Authentic filter behavior with smooth response and classic soundTB Evolved Pressure-sensitive touch pad 134 captivating sounds, including the original TB-303 tones and new four-oscillator, effects-processed basses, leads, and sound effects Dedicated Tempo control with shuffle and tap tempo functions Control built-in effects with smooth, responsive knobs 7-segment, 3-character LED display Seamless switching between pattern creation and performance 16-step indicator lights to aid in pattern creation Pattern support for up to 32 steps Easy access to shuffle control for bass lines that groove Enter steps manually or record in real time on the touch pad Change step count during playback to alter the length of phrases Random pattern generation and pattern modification Pattern copy functionThe LineageNobody could have anticipated what would happen to the world of dance music when inventive musicians on both sides of the Atlantic embraced Roland's now-legendary TB-303
Since the 1980s, it's been a staple of electronic music-it is the defining sound of acid house, and has since been the marquee instrument on an array of groundbreaking electronic dance tracks
It's not only been used to write songs, it's had songs written about it
In fact, the release of the original TB-303 has been heralded as one of the key events in the history of dance music
Not bad for a little silver box
The SoundLaunched in 1981, the TB-303 continues to be an indispensable bass synth for dance music
In developing the TB-3, we've meticulously analyzed the circuitry of the original TB-303 piece by piece, right down to the individual circuit behavior
Using Analog Circuit Behavior (ACB) technology, we've fully reproduced the TB-303's sawtooth and square wave oscillators, as well as the -18dB per octave ladder low-pass filter used in the original, capturing that unmistakable cutoff and resonance character
In addition to the faithful reproduction of classic TB tones, the TB-3 is packed with new sounds that live and breathe
Bubbling synth basses, hard distortion basses, trippy delay sounds, and drippy effects-they're all here, and then some
The FeelA TB-303 bass part not only sounds unique-it has its own trademark feel as well
The TB pulses
It drives
It bubbles and it percolates
That's why we've worked so hard to faithfully reproduce the accent, slide, and step sequencer behavior of the original unit
But our vision went beyond simple reproduction
The truth is, the step entry on the original TB-303 was difficult to use, the keyboard was difficult to play, and special maneuvers were required for the shuffle functions
So we experimented with a variety of prototypes in our quest to create the optimal TB interface
Touch PadThe new TB-3 is equipped with a brightly lit, pressure-sensitive touch pad that lets you seamlessly create patterns and interact with the unit during performance
In addition to pitch and volume, you can tweak filters and even control modulation by simply pressing down on the pad with your finger
It also makes the keyboard a breeze to play
Envelope modulation and decay can be controlled with a single finger Switch patterns, transpose, and chain patterns with finger gestures Internally partitioned at keyboard intervals so it's easy and natural to play in real time XY Play-X for continuous pitch change, Y for volume, and pad pressure for modulationStep SequencerThe TB-3's evolved step sequencer is a snap to use and allows seamless switching between pattern creation and performance
Of course, an attractive aspect of the original TB-303 was how it would sometimes generate unintended sounds as the user maneuvered through its complex and cryptic pattern-creation operation
In order to inject that element of chance and discovery, the TB-3 includes automatic pattern generation and random pattern modification functions
ScatterThe TB-3's Scatter function features slicing, reverse, gating, and other effects, allowing you to i
Price : 299.00
Pittsburgh Modular Synthesizers Chain Reactor Module
The Chain Reactor combines two of our classic VILFO modules with two additional free running LFOs to create an endless supply of chaotic fluctuations
VILFO1 and VILFO2 feature our unique voltage influence control
Voltage influence works differently than standard voltage control, it allows the incoming CV to mingle with the LFO waveforms in interesting ways, creating unique modulations and patterns
The output of each VILFO is a voltage controlled variable waveform that shifts from a triangle to square wave
The Voltage Influence CircuitA typical Voltage controlled oscillator works by using a CV input to directly control the oscillation frequency
The more voltage sent to the CV input, the higher the frequency of the oscillator
The lower the voltage, the lower the frequency of the oscillator
Voltage Influence works by using the CV input to attenuate the frequency of the oscillator while at the same time injecting some of the voltage from influence CV input to the feedback loop of the oscillator
Results can vary from subtle to chaotic
Subtle results can be similar to tremolo, shuffle, or soft reset while more extreme settings produce glitchy, rhythmic, chaotic fluctuations in the frequency of the oscillator.A Chain ReactionThree of the modulation sources within the Chain Reactor are patched together using switched jacks to ceate complex modulations without needing to use patch cables
The output of LFO3 is patched to the influence CV input of VILFO2 and the output of VILFO2 is internally patched to the influence CV input of VILFO1
The fourth LFO is not prepatched but can be used to modulate the waveshape of VILFO1 or VILFO2
The internal routing between modulation sources within the Chain Reactor can be defeated by patching an external CV souce into the module.
Price : 279.00
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